Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.  Related Paintings of James Ensor :. | The Song of the Wine or Thirsty Masks | The Circumcision | The Oyster Eater (nn02) | Theater of Masks | The Descent from Calvary |
Related Artists:
Barbara Bodichon
1827-1891 was an English educationalist, artist, and a leading early nineteenth century feminist and activist for women's rights. She was the illegitimate child of Anne Longden, a 25-year-old milliner from Alfreton, and Benjamin Leigh Smith (1783-1860) , an MP's only son, who was himself a Radical MP for Norwich. Benjamin (Ben) had four sisters. One, Fanny Smith, married into the Nightingale family and produced a daughter, Florence Nightingale; another married into the Bonham-Carter family. Ben's father wanted him to marry Mary Shore, the sister of William Nightingale, now an in law by marriage Ben Smith's home was in Marylebone, London, but from 1816 he inherited and purchased property near Hastings: Brown's Farm near Robertsbridge, with a house built around 1700 (extant), and Crowham Manor, Westfield, which included 200 acres. Although a member of the landed gentry, Smith held radical views. He was a Dissenter, a Unitarian, a supporter of Free Trade, and a benefactor to the poor. In 1826 he bore the cost of building a school for the inner city poor at Vincent Square, Westminster, and paid a penny a week towards the fees for each child, the same amount as paid by their parents. On a visit to his sister in Derbyshire in 1826 Smith met Anne Longden, a 25-year-old milliner from Alfreton. She became pregnant and Smith took her to a rented lodge at Whatlington, a small village near Battle, East Sussex. There she lived as 'Mrs Leigh', the surname of Ben Smith's relations on the Isle of Wight. Barbara's birth created a scandal because the couple did not marry. Smith rode on horseback from Brown's Farm to visit them daily, and within eight weeks Anne was pregnant again. When little Ben was born the four of them went to America for two years, during which time another child was conceived. On their return to Sussex they lived openly together at Brown's, and had two more children. After their last child was born, in 1833, Anne became ill with tuberculosis and Smith leased 9 Pelham Crescent, which faced the sea at Hastings
Girodet-Trioson, Anne-Louis
French Neoclassical Painter, 1767-1824 French painter. Originally named Girodet de Roussy or Roucy, he was a student of J.-L. David, and his classical training was sometimes at variance with his often eccentrically romantic expression. He won the Prix de Rome and while in Italy painted the Sleep of Endymion (1791; Louvre), a sensual and erotically ambiguous work that brought him widespread recognition. His Deluge (Louvre) demonstrates Girodet's interest in unusual color and lighting problems. Much of his work, including a series for Malmaison (Napoleon's residence), glorifies Napoleon.
Sir Edward john poynter,bt.,P.R.A
1836-1919 English painter, draughtsman, decorative designer and museum official. He came from an artistic family: his great-grandfather was Thomas Banks the sculptor, and Ambrose Poynter, his father, was an architect and watercolour painter. Edward began studying art in 1852 under Thomas Shotter Boys, a friend of his father. In 1853-4 Poynter visited Rome, where he was greatly impressed by the large-scale academic painting of Frederic Leighton. Returning to London, he studied at Leigh's Academy and the studio of William Dobson (1817-1898). Poynter entered the Royal Academy Schools in 1855 but his admiration for French painting led him to Charles Gleyre's studio in Paris the following year. He remained there until 1859, with fellow students George Du Maurier, Thomas Armstrong and Whistler; their activities are described in Du Maurier's novel Trilby (1894). At this time Poynter received his first commissions for decorative work. He began designing stained glass and painting furniture and, after his return to England, he was employed by his friend the architect William Burges to decorate the ceiling of Waltham Abbey, Essex, in 1860.